Mobygratis.com: Free Music for Filmmakers

Singer-songwriter, musician and DJ, Moby just released a catalog of over 150 tracks for use by indy and documentary filmmakers.


"Mobygratis.com is a resource for independent and non-profit filmmakers, film students, and anyone in need of free music for their independent, non-profit film, video, or short film"

Moby explains: "Well, the music is free as long as it's used in non-commercial films. When the music is used in a commercial film, any money that's generated goes to the Humane Society, so I get nothing."

Sign up for an account.  If you find something you'd like, complete the online form to secure rights for your project.

Hitchcock On The Kuleshov Effect

The "Kuleshov Effect" was a 1918 film editing experiment conducted by Lev Kuleshov:  

During this time I created a montage experiment which became known abroad as the 'Kuleshov Effect'. I alternated the same shot of Mozzhukhin [a Tsarist matinee idol] with various other shots (a plate of soup, a girl, a child's coffin), and these shots acquired a different meaning. The discovery stunned me - so convinced was I of the enormous power of montage.

Alfred Hitchcock demonstrates in this excerpt from A Talk With Hitchcock.  You can find other excerpts of this video scattered across the Internet or cough up $8.50 for the complete 52 minute DVD.

Reading "The Central Park Five"

I finally made the time to see the Florentine Films doc, The Central Park Five.  Directed by Ken Burns, Sarah Burns and David McMahon, the film recounts the 1989 arrest and conviction of five Black and Latino teenagers for the brutal attack and rape of a white female jogger in Central Park. As it turns out, the teens had nothing to do with the crime and worse yet, the NYPD held DNA evidence pointing to the actual perpetrator, Matias Reyes.  The New York Times A. O. Scott aptly describes the film as a "story of race, injustice and media frenzy."

Although the young men were eventually exonerated after Reyes volunteered a confession, the film offers a broader story, describing the legal, social and political forces at play that led to this gross injustice.  One of the most sobering moments of the film occurs when historian Craig Steven Wilder reflects on the case: “I want us to remember what happened [in April 1989] and be horrified by ourselves because it really is a mirror on our society. And rather than tying it up in a bow and thinking that there is something we can take away from it and we’ll be better people, I think what we really need to realize is we’re not very good people. And we’re often not.”

Oddly director Ken Burns later qualified that statement in an interview, attributing its meaning to "our own complacency".  But the film's story is about anything but complacency.  Certainly the overzealous actions taken by the NY District Attorney's office and the NYPD to coerce confessions from those teens resulted in mad rush to judgement.  The commercial media's frenzied racist creation of "wilding" was surely intended to stoke audiences and to inspire fear and outrage.  And as is so often the case, many in the public demanded swift retribution for the heinous assault and rape of Trisha Meili.  

I don't find any complacency there, but asking whether or not our criminal justice system reflects the values and intentions of good people is well worth considering.  

Night of the Hunter: The Horrors of Childhood

Here's a short essay, RAISED IN FEAR: NIGHT OF THE HUNTER and the Horrors of Childhood by Jedd Mayer - "a virtual catalogue of iconic images of childhood fears"

Lillian Gish, Robert Michum and Gloria Castillo 

in Charles Laughton's Night of the Hunter

If you've never seen this film, do yourself a favor and check it out. Available from the Criterion Collection.