In the piece, Tépper lists what's missing from Elements 10:
* Multiple simultaneous sequence support * Multicam editing * Time remapping * Scopes (waveform and vectorscope) * Encore for more elaborate DVD menu authoring and Blu-ray Disc authoring * OnLocation for in-field monitoring and direct-to-disk recording, both from a camera with FireWire * XML i/o for PluralEyes (although DualEyes will work with Premiere Elements) * Easy direct interoperability with other Adobe professional programs like After Effects, Audition, Soundbooth, etc. * Compatibility for full use of a professional i/o device like the ones from AJA, Blackmagic, Matrox, or MOTU
So the question is, do you need these features? Also Premiere Elements 10 will run on the 32-bit version of Windows XP, Vista or Windows 7 while Premiere Pro requires the 64-bit version of Windows Vista or Windows 7.
So if you're not yet ready to upgrade your PC, Elements might just be the way to go.
Here's a tutorial by Chris Meyer of the ProVideo Coalition to walk you through the steps to use After Effects to create titles for Premiere Pro projects.
After Effects offers a number of text animation presets to offer looks that can't be created in Premiere Pro. And since the Premiere Pro project is dynamically linked to the After Effects composition, titles can be tweaked and edited after they're integrated into a Premiere Pro project. The motion graphic design work of Chris and Trish Meyer has appeared on major TV networks and Hollywood films. They're also gifted teachers and the authors of a number of books on Adobe After Effects. Check out their Amazon.com page.
A simple Google search will yield oodles of DSLR time lapse examples.
However, I didn't find much regarding post-processing. How do you
process that sequence of stills to get the best results? Working with the Nikon D7000 and Adobe After Effects, here's what I found.
When setting the camera the most important thing to remember is to set the exposure and focus manually. If either of these settings varies from frame to frame it can ruin the effect. The camera was set to make an exposure every 30 seconds over a four hour period.
Also for this test I shot the stills at the camera's lowest resolution - JPEG Basic 2464 x 1632. Why so low? Because these stills are destined to be incorporated into a 720p composition. Even at that low image setting, the pictures will need to be scaled down to about 27% of their original size to approximate the 720p frame.
A handy feature on the D7000 is its built-in Interval Timer. Here's a video which demos that tool:
Post-Processing
I use After Effects to convert the sequence of time-lapse stills to video. You can use Premiere Pro although I found that version CS4 struggled to render the sequence. After Effects worked much more smoothly.
In After Effects, import the stills making sure to check "Jpeg Sequence". The sequence of stills will be treated as a single clip in the After Effects timeline.
After placing the clip in a 720p composition here are the results with no adjustments applied:
That looks OK and comparable to many time lapse videos I've seen. But it runs rather fast and the animation seems like it could be smoother.
I decided to double the time of the clip by applying Time Stretch to the clip - Layer>Time>Time Stretch - 200%. Since Time Stretch is set to 200%, the program is simply doubling each frame. Yuk.
To smooth the animation I applied Frame Blending
- a powerful tool to correct that problem. Here are the results:
Not bad but notice the image distortion that occurs in the landscape as the clouds pass overhead. The following still frames are zoomed in to show the problem.
Distorted
Correct
Well that's no good.
After some additional research and testing I learned that After Effects offers two kinds of Frame Blending - Frame Mix & Pixel Motion. Adobe claims Pixel Motion to be the superior tool and I've found that the program defaults to that setting when Frame Blending is applied. But for this clip, Frame Mix provides better results. To change that setting - Layer > Frame Blending >
Frame Mix
Pretty smooth.
Finally here's an example by landscape photographer, Terje Sorgjerd which aptly demonstrates some of the possibilities of time lapse.
Note too that some of the shots include camera movement. One popular rig to achieve this effect is the Stage Zero Dolly from Dynamic Perception Here's a demo that shows how the system works:
Well-executed color correction can really upgrade the look of your productions. Check out this article by Jeff Sengstack at ProVideo Coalition. He provides a quick overview of the color correction process in Premiere Pro.
High-quality open source NLE's may become a reality in the not-too-distant future.
(If you're unfamiliar with the Open Source software, check out this article.)
Lightworks is currently in beta mode and available for download. This NLE touts an impressive list of features. I'm testing this software now and look forward to sharing that experience here soon.
Novacut is now fundraising to help underwrite the release of its beta version. Here's an article from Studio Daily that describes the features to be included in this application.
